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    All comments by Zhenzhen

    People Are Talking: UMS presents Apollo’s Fire at Hill Auditorium:

  • Absolutely gorgeous performance! It is different listening to a Baroque orchestra live than from a recording. Even though some instrument couldn’t produce every note clear, which is just the way it is, it gave me such an intimate feeling. it was like sitting at home just talking to a loved one. The duets or trios in those slow movements were like conversations of love whispered into my ears, simple, unaffected and melting. The rhythms were very refreshing! Virtuosity at its best!

  • People Are Talking: UMS presents András Schiff at Hill Auditorium:

  • I also found his slow movements a little bit less refreshing. No. 25 was still pretty good. I guess that’s just where Bach’s magic shines. But if it is played on harpsichord, probably the slow movements would sound more like what Mr. Schiff did last night. Maybe it is all because the way Glenn Gould played the slow movements was too breath-taking. Bach is just never the same after hearing his recordings.

    In response to:
    "

    I had promised myself not to write any reviews this year. But that was before last night’s concert.
    Andras Schiff is a breathtaking virtuoso, a man of prodigious energy – who else would follow last evening’s scheduled works with opus 111?! — and of capacious memory. I hear he is touring with the English suites along with what we heard last night. You get the sense that, if you woke him up at 2:30 in the morning, he could launch himself into any Beethoven sonata or Bach keyboard work without hesitation or dropping a note. He is also a seeker!
    A great artist will occasionally offer a new insight into a well-known work. This can make the concert memorable. The performer has remained true to the tradition of its past realizations, has not left the context of its place in the history of music and yet opened — or rather proposed — a new perspective on it that may stand the test of repetition. One is grateful for such events; there are not many in a lifetime.
    But when every page is played in “innovative” ways, no matter how brilliantly and with what astonishing fireworks, when tempi are changed arbitrarily, rhythms pulled this way and that, articulations altered, notes and chords willfully accented, then one finds oneself not listening to a known work creatively reinterpreted, but rather wondering what the limits to such renewals might be. That, I’m sorry to say, was the case in both works last evening, especially in the Bach?
    As someone said to me afterwards, the lighter variations shone with Mr. Schiff’s virtuosity, but one wanted “a bit more substance” in the slower and more contemplative variations. I agree; much of this steep, challenging work sounded more like Scarlatti sonatas dashed off by a brilliant, light-fingered magician.
    The Diabelli theme waltz was played so fast that for a full realization one had to rely on one’s memory more than on one’s ear. Not to go on too long with this dirge of a review – maybe it’s too late for that already! — one of the variations sounded so strange and unfamiliar that speculation arose in my neighborhood of the hall as to whether this was Mr. Schiff’s own interpolation: “I’ve never heard THAT one before,” she said.

    "
    by Music Lover
  • People Are Talking: UMS presents András Schiff at Hill Auditorium:

  • By the way, does anyone know what was that encore?

  • People Are Talking: UMS presents András Schiff at Hill Auditorium:

  • He is a real master! His style may be a little soft to me because I am so used to Glenn Gould. But that was really beautiful! I found a lot of new details by listening to his Goldberg! The way he played those most enjoyable Variations No. 20, 23, 26, wasn’t like a rushing torrent, but the tenderness and steady pace really showed his confidence and virtuosity. I was so carried away in the chromatic variation No. 25. Actually everything was great. At a few point I thought he didn’t catch up (I wasn’t very sure, maybe he was also carried away), but who would mind? Watching him was also very entertaining. I have never heard the second piece, but I had a really wonderful musical journey. The encore was also the longest I have ever heard. Such a wonderful musician! master indeed!

  • People Are Talking: UMS Presents Apollo’s Fire at Hill Auditorium:

  • He was really kind enough to give us three encores. I don’t go to concerts a lot but is that usual for a music performance? I like him and the ensemble. He has such a pure and rare tone quality. And each phrase of melisma just left me breathless. And he didn’t seem to lose any of his voice when doing the encores. That was really good technique, endurance, musicianship combined. He just made me feel humble and grateful.

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