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    All comments by Ruth Scodel

    People Are Talking: UMS presents Young Jean Lee’s Theater Company: Straight White Men:

  • I just couldn’t believe that white liberal guilt would paralyze anyone as Matt is paralyzed. Why was it never mentioned in what field he spent 15 years in a PhD program (did he ever finish?), or how big the student debt is? And would the father really be so happy to have his sons home when the cause is Jake’s divorce? Are we to assume that the banker married a Black woman as his way of evading privilege? Why no attention to that?

  • People Are Talking: UMS presents National Theatre of Scotland: Charles Dickens’s A Christmas Carol:

  • I’m not a Christmas Carol fan, but the puppets were superb and I realized that of course Scrooge should be a Scot.

  • People Are Talking: UMS presents Antigone by Sophokles:

  • It was unfortunate that Anne Carson kept the word “liver” in the description of Eurydice’s death and that the production didn’t change it. In Greek, the liver is an organ of emotion (in Aeschyus, “Many things touch the liver” in a heartbreaking passage about deaths in war), but in English, the line is too anatomical and sounded funny.

    In response to:
    "

    I do not regret buying a ticket and seeing Antigone. It is a worthwhile experience. That said, this is not a production I like. The translation is too casual, parts of the set (bookcases, faucets) are barely used or not at all, video behind the actors seems mostly unrelated to the action, and the loud vocal music at the very end also seemed out of place. The acting is good (though the actors are VERY hard to hear) as we expect but the text causes them to utter lines that produce laughs when the moment is tragic. Yes, some laughs break the tension appropriately early on, but in the last 10 minutes, no – this is a tragedy.

    "
    by Jack
  • People Are Talking: UMS presents Antigone by Sophokles:

  • Actually, the miking was a director’s decision from the beginning and I don’t think it had anything to do with the cast’s abilities. (I heard this from Kirsty Bushell at the panel.) She didn’t explain why, but I think he wanted the peculiar sonic distance. I wasn’t sure I liked it, but it was a deliberate effect.

    In response to:
    "

    The updated script was lively. I disagree that Creon’s character was trivialized — on the contrary, he was made fully human in his complexity. This was NOT a simple good vs bad rendition,not the least because Creon was brilliantly played… and, unfortunately, because Antigone was not. Binoche does not have the powers required of a stage actress. She played Antigone in an old, melodramatic style that did not match the other performances or the script.

    On the up side, the updated script offered up humor, wonderfully delivered via The Guard. On the down side, Binoche clearly couldn’t project (it was downright painful when she tried), leading the whole performance to be miked. This seriously detracted from the strength of the production itself, which overall was visually stunning but sonically stilted.

    "
    by Ufa
  • People Are Talking: UMS presents Mendelssohn’s Elijah at Hill Auditorium:

  • I was unhappy with the program note that said M. was “troubled by the moral decay that was sweeping across the European continent.” First, I don’t know that there was any moral decay, even if M. thought there was. And politically isn’t M. thought to have been mildly liberal–in favor of constitutional reform?

    It’s not my favorite piece, but I liked the soloists.

  • People Are Talking: UMS presents SITI Company: Trojan Women (after Euripides) at Power Center:

  • I have published pretty extensively on the play. I admired Lauren’s voice and the way she moved. I liked the lighting. But the production as a whole left me cold–the stylization was estranging. Tim’s comment makes me a little nervous, since as far as I know they made up the story that Odysseus made the deal with the suitors’ oath to get Penelope–maybe it’s in an ancient author somewhere, but it contradicts the standard version (since Odysseus takes the oath himself and has to go to Troy though he doesn’t want to).

    In response to:
    "

    I enjoyed it. But I love ancient Greek plays and ancient Greek myth, legend and history (if perhaps we have a combination of them in the Trojan war story). The actress who played Hecuba did a good job, and so did the actor who played Poseidon. I am fairly familiar with the myths and legends behind the Trojan war but I still learned more about them, especially that Odysseus had been a suitor for Helen but took Penelope instead. I was not sure if all the names were pronounced correctly but I could be wrong and that’s not very important. (In the movie Troy they pronounced Menelaus as men-allow-us, interestingly enough.) I thought it was worth the money, at least for the cheap seat I had. And, again, I’m a big fan of ancient Greek drama and ancient Greek myth. Ancient Greek drama is not often performed these days (there was one at Stratford last year, Elektra), so it was a bit of a treat. Thanks to UMS for this performance.

    "
    by Tim

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