People Are Talking: UMS presents Ryoji Ikeda’s...
Posted: 10/31/14
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All comments by Chitra Raman
Ask an Artist: Jun Akimoto, Kodo member:
I had no idea! Thank you Truly. Great show last night!
Hi Chitra! Truly from UMS here. Kodo is now on another leg of the tour, but I wanted to draw your attention to a great Michigan-based taiko drumming school, in case you are interested in learning more about this incredible art form. The Great Lakes Taiko Center is located in Novi and offers a variety of classes and workshops for all ages: http://www.michigantaiko.net. Thanks for your questions!
"by Truly Render
Ask an Artist: Jun Akimoto, Kodo member:
Thanks so much for taking the time to answer my question. If I may ask, how does the layering of rhythm for a piece worked out? Do you start by conceiving what you want from the final effect, and allocate specific parts to the different drums, or do you start with a basic pattern and then add different elements?
Thank you for your comment, Chitra. Kodo normally uses several notation systems from western and japanese musical traditions. But we use less notation and more dependent on the oral transmission of the rhythm called “Kuchi-shoga” which is similar to onomatopoeia. This is typical and traditional way to teach and learn rhythms often found in many local folk performing arts throughout Japan. We do not know much about Indian rhythmic theary, but when we see it as a type of oral imitation of rhythm we may be doing the similar thing. But I am sure that the Indian rhythmic theory and system should be very different from ours.
"by Jun Akimoto
Ask an Artist: Jun Akimoto, Kodo member:
Hi,what system of notation do you use for rhythm patterns? Also, do you have names for different systems of beats, as for instance in Indian music which classifies systems of marking rhythm into differently named “Taals” ? Thank you