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    All comments by Gregg P

    People Are Talking [and Video Booth]: Einstein on the Beach at Power Center:

  • I went to the discussion at the Michigan theatre with Philip Glass and Robert Wilson last Sunday. They seemed very reluctant to ascribe any particular meaning to their work. My sense is that we should do the same.  My view is similar to yours. I think the Opera is best understood and enjoyed as a piece of performance art with lots of contrapuntal motion, where music, the sound and rhythms of spoken words, the movement and facial expressions of dancers and actors, and the lights and the props all work together  to create patterns and energy that engages our senses and our minds in unexpected ways. The art is in the choices and directions made by the authors and in the beautiful execution and interpretation of the performers. 

    In response to:
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    Last night’s performance reminded me of being a kid and hearing my parents talk, knowing it was about something important, but not able to quite understand what or why. Everything in the 4+ hours was clearly deliberate–all the choreography, stage effects, everything. Usually when we see a large group of people being very deliberate about what they do, it means something important, but, last night, what did it all mean? It took a while to get to sleep last night, as it was all still in my head; I think my brain was trying to sort through everything I had seen and make sense of it. Even though it seemed like so many things were abstract, and hard to define, I felt like I was able to connect with the performance, partially since I knew the why there were so many trains and clocks (if you don’t, go read Einstein’s book on his theory of special relativity), and also because I could see, in this opera without a plot, an overall exploration into different ways we perceive time, you know, how sometimes it seems like your watch stops and time pauses in space, and other times it merely seems to slow down, and the rest of the time we don’t really notice it at all. It seemed to me that the opera was largely about exploration into space and time. I still want to ask “what does it all mean?” but maybe that’s not the right question. If it was meant to be a story, it would have had a plot. It didn’t. It was more like a poem, a poem that’s not about rhyme and meter but about the sound of the words, only not just about the sound of the words, but the effect of choreography and colors of music. This means that some people will likely find it inaccessible, but for me, it was understandable enough to appreciate, and I wish I had a ticket to go see it again tonight. Thank you UMS for helping to bring “Einstein on the Beach” to Ann Arbor.

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    by numbersofpi
  • People Are Talking [and Video Booth]: Einstein on the Beach at Power Center:

  • Hi Andreas. You must be the piano performance student from Austria that I met before the performance. I’m glad you (mostly) enjoyed the Opera. Unlike Allen, I enjoyed the delay. I took Ken Fisher’s advice and met someone new and learned about the perspective of a musician who practices 6 hours a day (and is apparently a slacker) compared to some of his fellow students. (sorry to out you). Good luck.

    In response to:
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    I was very impressed by all the performers. They all kept the work going. I could see that every detail was planned out. If you watched around you could see that everybody of the persons on stage was doing something to keep my attention. The scenes to which I probably played the most attention was the scene about the “Prematurly air-conditioned supermarket”. The words “the beach” finally hypnotized me to some extent. And then the image of the atomic bomb was also kind of fascinating to watch. I keep thinking about the couple in the last scene: for me they could be the last survivors of a nuclear war. But I also must admit that I sometimes thought that it is too long. Sometimes I expected that we move on to the next scene and then the music started again over and over again. So I needed definately my breaks. It was not a surprise to me that I saw people to fall asleep. All in all it was an interesting experience. For me at had the taste of a drug trip. Something you can do sometimes but not too often.

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    by Andreas Eggertsberger
  • Inside Einstein on the Beach: Guest Blog by Lindsay Kesselman:

  • Lindsay – Thanks for you blog. Very inspiring. Makes me want to “run off to the Opera” (as if it were that easy). Your hard work was amazingly evident last night at the premier. The intense focus and energy to create this production was obvious but in fact the performance came off as if such movement and sound were perfectly natural. Looking forward to hearing how it felt to be on stage.

  • People Are Talking [and Video Booth]: Einstein on the Beach at Power Center:

  • Some scenes were like watching and listening to multiple alternate universes, each with their own sense of time. The dances and much of the choral music was ecstatically beautiful. The stamina and precision and mindful slow motion movement (and fast motion music) of the performers was mind boggling.

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